This is part of the series 'My journey with the Masters' Day One - The workshop description: Abstracting the Landscape: A mixed media painting workshop designed for people who would like to work in a more expressive way or want to ‘loosen up’. I will show how to make quick visual ‘notes’ while experiencing the landscape, then help to develop them into abstract landscape compositions. Caroline Chappell paints Expressive Landscapes with varying degrees of abstraction. Her main … [Read more...]
Planning the next year in art
My journey with the Masters I am enrolling for an exciting diploma course in 2019, which gives me 7 months to prepare. Here is a little bit about where I am coming from and where I hope to go... Planning and packing Where have I come from? I am an oil painter of 2 years – or 48 years whichever way you decide to look at it. My background is a fine art degree at Wits University, Johannesburg, South Africa under Cecily Sash and Robert Hodgins. I majored in oil painting and drawing. It was the … [Read more...]
Painting a landscape from a photo
Working from photos has its own challenges. Ideally the photo would be one you have taken, so that you have a feeling for the whole vista and have breathed the air that the scene inhabits. I believe that this psychological connection is important. Sometimes you will be commissioned to paint a scene that someone else has photographed and this can be more difficult unless the photograph is already brilliant! (... and downloading other people's creative photography from the internet without … [Read more...]
Why sketch if you have a camera?
If I want to paint a still life, I set it up very carefully, photograph and crop it, perhaps move the objects or fiddle with the lighting and then photograph it again until I am satisfied. This will take place of the 'thumbnail' or planning sketch. I start drawing with the paintbrush on the canvas, only referring to the photo to get the composition right, but working from the actual still-life. I put the camera away and continue painting. I will hardly refer back to the photo unless I … [Read more...]
Toxicity in Solvents, mediums and pigments in oil painting
My granddaughters introduced me to the lollipops which the children call 'Toxic Waste'. She said: 'First they taste awful, then soooo nice, and they make your tongue a brighter colour than the lollipop!' I can't figure out the moral of the story, but she certainly delighted in the notion of toxicity! In oil painting, or any artist's medium, pigments have various levels of toxicity and thank goodness Flake White (which caused the fatal lead poisoning to JMW Turner's father and later his … [Read more...]